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17 Apr - 23 Apr 2006

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Last Comments

Jool (What it Was:): this design is so cool great job
Stephen (What it Was:): I will be back often Congratulation and my best wis…
T. DArrigo (Reed Altemus Blog…): Cool Reed. I can relate to the copier art (and act…
Allan (A Bit About Marce…): Fluxus did not die. Fluxus lives.
Aideen (A Bit About Marce…): Did Fluxus Die?
Pierre-joseph Pro… ("Cop Shop" Fluxus…): I stand corrected. I stand. There is an author. [I]…
Pierre-joseph Pro… ("Cop Shop" Fluxus…): A simulation. True. NO egoist.
Michael Beyer (A Bit About Marce…): Paper on Duchamp: www.mmbe yer.comPapersArt _Histo…
Ruud Janssen (Ruud Janssen, Mai…): soon residing in Breda though...... Ru ud Janssen…
paolo rossi (The Fluxus Artist…): Ciao! a nice merge of technology and art This se…

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+ 0 - 0 | § Fluxlist Blog

On April 3rd of this year (2006) the members of Fluxlist established a collaborative community Blog. Incredibly, in less than two weeks the Fluxlist Blog has 36 members and has agathered more than 120 posts. All of these posts incorporate the Fluxus spirit of intermedia and collaboration. I recomend a visit by anybody interested in the new directions that Fluxus is taking while still maintaining the heart and soul of the original Fluxus movement.


http://fluxlist.blogspot.com/
Be sure to click on the "Archives" at lower right.
It is a busy blog with much to experience!

+ 0 - 0 | § Ray Johnson Update

From a biography of Ray Johnson at http://www.rayjohnsonestate.com/

As his contemporaries became famous, Johnson receded from view, cultivating his role as outsider while maintaining his profile by communicating via mail art and the telephone. He parodied celebrity in performances, fake openings, photocopy-machine art, lists of famous names next to obscure names, and rubber-stamped signatures such as "Collage by Joseph Cornell," or "Collage by Sherrie Levine." Johnson, referring to himself as a "mysterious and secret organization," achieved legendary status as the conscience of artists. This underground reputation prospered well into the 1980's, despite his general absence from the scene, and the gallery-going public's sketchy notions of his output.
 
Johnson's suicide became the first opportunity to examine his work of the previous fifty years. Stored in an eerie construction of boxes inside his house, the work was as precisely stacked as a large three-dimensional collage. With the help of Frances Beatty, Vice-President of Richard L. Feigen & Co., filmmakers Andrew Moore and John Walter spent the next six years probing the mysteries of Johnson's life and art. Their collaboration yielded the award-winning documentary, How To Draw a Bunny, released in 2003. The film examines Johnson's life, art, and ambivalent attitude toward fame.
 

Buy the film "How to Draw a Bunny"

+ 0 - 0 | § Fluxus: The Persistence of Flow


A great article about Fluxus and the Fluxlist by Kamen Nedev posted on his emit Blog.

Fluxus