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Photography and Fluxus: Brad Brace

I mentioned Brad Brace in my previous post about Photography and Fluxus. Below is a quote directly from Brad (from his Facebook page) in which Brad talks about his latest photo-pased project.

dISCREET pROFILES (the Oregon collection): Thousands of enlarged and enhanced photographs, mostly low-res cellphone, web-cam, and low-end digital camera self-portraits, culled from dating/social websites -- as you might expect, there is some explicit content (more than is permitted here unfortunately: you really shoul...d see them all, but take a deep breath first) -- fascinating and occasionally disturbing. You may realize that this is not the first time I've collected public imagery: notably dumpster-diving at photo-finishers' in the 70's. Whenever possible I retained any color casts, cropping and lighting. The portraits are actually very considered, sometimes selections made/altered merely to obscure the identity that they wished to presumably portray initially. Sunglasses are a popular ruse, as are close-ups of clevage, butts, feet and groins. And some, but surprising few, are filched from somewhere online, but this must be a risky choice in the event of an 'actual encounter.' How much introductory information/description do you want to put out there to begin with? There are some very creative, even artful, solutions to this dilemma. This massive 2+ GB PDF ebook is $250
(sorry about the price but it was a hellish amount of work and I guarantee you won't be disappointed or YMB), and must be ordered directly. Use my verified Paypal account to have the DVD delivered at no charge: [bbrace@eskimo.com; http://bbrace.laughingsquid.net/buy-into.html] (in two parts, each 1600 pages/photos; 6.94 x 6.94").

Techically the incredible diverse range of imagery was difficult to bring under control; despite a variety of intricate processing directions, the scripts would inevitably crash or be inable to render a decent image. These were handled individually. The sequence, in the pdfs is probably pretty much random: processing used whatever numbering systems were in place, and then renumbered everything so there was no trace of last origin. If I receive a reasonable number of orders, I'll offer another state of the union or country... but California had to be the place to begin. Sure to be a collectors' (socio-anthropologists') item! An amazing and compelling, collective portrait! The interspersed military imagery (or maybe something else), also introduces a new spin on the hopes for this already tenuous social culture. I've had to organize these in some fashion, so by state/country seem to be the prevailing approach. And given how often workers are compelled to move around, there's more of a local difference in social-sexual proclivity than you might expect. Oregon's up next: a hostile corrupt, conservative police-state that's reflected, I think in the mannerisms of its self-portraiture. It's often chosen for consumer surveys...
/:b

 

Brad provides these two URLs for further information:

http://tinyurl.com/2g8th2u
http://tinyurl.com/2da2mvo

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Published on Categories Artists, Commentary

About Allan Revich

Allan Revich is a Toronto artist and writer. His work has appeared in numerous publications, in international exhibitions, and on many websites. He is active in the international Fluxus community. He currently writes poetry, creates visual poems, and works with photography. His work includes Web-based art, mixed media art, and mail art.

His books, Headline Haiku 2006, Headline Haiku 2007, and Fluxus Vision are available internationally on Amazon.com and its affiliates, as his most recent collection of poems, “Flux You!”.

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