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Cecil Touchon and Fluxus

Recently, my friend and fellow Fluxus practitioner, Cecil Touchon, sent me a copy of an email that he had sent to a mutual colleague. I have excerpted a really nice explanation about how contemporary Fluxus fits in with historical Fluxus. I have addressed this issue from a similar, but different perspective, but I think that Cecil's piece adds an interesting and complementary viewpoint.

Fluxus from the beginning was intended as an activity for amateurs. And I say that with all due respect. I approach it that way: as a pastime done in spare moments. It is not the sort of thing you would expect to pursue professionally, although I suppose one could and some have. I see people working today with fluxus as three different groups...

Those who are retro fluxus artists and look backwards at what fluxus was and try to sustain what it was in the 60's and 70's and consider it over. These tend to be among performers who like to perform the old school works. Then there are those who have been working parallel to fluxus for many years but just have not been involved with the specific individuals and/or do not wish to associate themselves with the fluxus community. Then there are those people, like myself and many of the gang on fluxlist who have been working in a fluxus way for most of their lives and then discover the group - mostly through fluxlist - then began working with each other and have decided as a group to not rename what we do and create a new identity but rather accept and honor what is there and make it our own and create new works, new scores, new performances, new networks. It is the logical next step.

So we claim Fluxus. That seems to us perfectly in keeping with fluxus principles and we value our community. We are inclusive with each other and make plenty of room for the old school guys - whom we love and admire and study and hang out with as circumstance permits - and contemporary fluxus artists as well. We are now, the last few years, unabashed in our embrace of fluxus and see it as a perennial thing that can be and is passed from one generation to the next uninterrupted. Starting demands continuing. We continue.

For a look at what is happening in the world of contemporary Fluxus, check out the Fluxmuseum.

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Published on Categories Artists, Commentary

About Allan Revich

Allan Revich is a Toronto artist and writer. His work has appeared in numerous publications, in international exhibitions, and on many websites. He is active in the international Fluxus community. He currently writes poetry, creates visual poems, and works with photography. His work includes Web-based art, mixed media art, and mail art. His books, Headline Haiku 2006, Headline Haiku 2007, and Fluxus Vision are available internationally on and its affiliates, as his most recent collection of poems, "Flux You!".

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