Ay-O, "My 192 Friends," 2011.
Ay-O: Over the Rainbow Once More
Ay-O: Over the Rainbow Once More
4 February–6 May 2012
Museum of Contemporary Art Tokyo
4-1-1 Miyoshi, Koto-ku
Tokyo 135-0022 Japan
Discover the vibrant world of Ay-O through this retrospective of his work, covering his entire career, from his early works to the present day.
Born in Ibaraki Prefecture in 1931, Ay-O, together with Masuo Ikeda and others, was active in the Demokrato Artists Association during the fifties, attracting notice for his brightly-colored oil paintings. In 1958 he moved to New York, where he used tangible objects to try to create dialogues with the world that can be perceived through the senses, resulting in his 'finger boxes', in which a finger is inserted into a hole in the side of a box to feel the material hidden inside, installation works that incorporate their surrounding environment, etc., going beyond the confines of the painting to produce works that appeal to the five senses. During the sixties, when everyday things or actions were translated into art, Ay-O received attention for his pioneering installations that he called 'environments'. As a member of the Fluxus movement, which went beyond the narrow divisions of genre to include musicians, poets and artists, its activities extending to performances and printed works to establish the foundations of today's diversity of art, he worked with such people as Yoko Ono and Nam June Paik. Finally, he rebelled against the concept of creating works consisting of lines, instead filling his motifs with the colors of the spectrum, from red to purple, giving birth to his 'rainbow' works, becoming famous throughout the world as the 'rainbow artist' subsequent to his exhibition at the 1966 Venice Biennale. Ay-O's struggle with the rainbow was expressed in a variety of genres including prints, paintings and installations, and still continues to the present day. This is the largest-ever exhibition to be held of his work, presenting numerous paintings from the rainbow series, an interactive installation that people are invited to appreciate through touch, a new work that is 30 meters in length and contains a rainbow consisting of 192 colors, a 300 meters long banner that was suspended from the Eiffel Tower in 1987 and recordings of his performance works. The gallery will overflow with Ay-O's optimistic world.
FLUXFEST CHICAGO 2012
February 9th – 12th, 2012
Feb 9th 5:00pm – 7:30pm
FROM THE ARCHIVE
Mailart and Fluxus from the archives of Fluxus/St. Louis.
Chicago Art Institute, Joan Flasch Artists Book Collection. 37 S. Wabash, 5th Floor.
February 9th - 12th, 2012
International Fluxus is gearing up for 4 days of performance and activity in Chicago this February, and are hoping that everyone who can, will join in the festival. If you can't make it in person, we'd still love to have you included. Please send a score that could be performed, or a simple multiple in an edition of 50 or more that we can give away. More details below ...
There have never been really solid lines demarking where Fluxus starts and stops.
To my mind there are some things that are clearly Fluxus and others that are clearly not Fluxus, but there is a heck of a lot of grey in between. For example, I am not currently aware of any pure audio art (sound art without a background event score or visible performers) that was made or exhibited during the first Fluxus era. But I think that sound art is the ultimate expression of Intermedia, and Intermedia is/was fundamental to understanding Fluxus.
In the spirit of Fluxus, Performa will produce an intensive 52-hour program (Friday, November 11, 5:00 pm) across New York City, collaborating with members of the Performa Consortium. A five-part program will be presented in several key Fluxus forms, honoring the history and prompting the making of new Fluxus actions, objects, music, film, and ideas for the twenty-first century. The projects, ranging in size from large events to small-scale gestures, will be concentrated in downtown Manhattan in tribute to Fluxus history, and to George Maciunas and the Fluxus pioneers who lived and worked there.
I ask not for the great, the remote, the romantic ... I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into today, and you may have the antique and future worlds.
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