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About Allan Revich

Allan Revich is a Toronto artist and writer. His work has appeared in numerous publications, in international exhibitions, and on many websites. He is active in the international Fluxus community. He currently writes poetry, creates visual poems, and works with photography. His work includes Web-based art, mixed media art, and mail art. His books, Headline Haiku 2006, Headline Haiku 2007, and Fluxus Vision are available internationally on and its affiliates, as his most recent collection of poems, "Flux You!".

On April 3rd of this year (2006) the members of Fluxlist established a collaborative community Blog. Incredibly, in less than two weeks the Fluxlist Blog has 36 members and has agathered more than 120 posts. All of these posts incorporate the Fluxus spirit of intermedia and collaboration. I recomend a visit by anybody interested in the new directions that Fluxus is taking while still maintaining the heart and soul of the original Fluxus movement.

Be sure to click on the "Archives" at lower right.
It is a busy blog with much to experience!

Walter Cianciusi a Fluxlister and contemporary Fluxus artist has recently set up a Fluxus podcast which can be subscribed to using Apple iTunes.

To listen you just need to:
1. download iTunes 6 (free) for Mac or PC: ;
2. search for "Fluxus" in the Music Store page (podcast directory); 3. sign in "Fluxus" podcast.

The xml address for the Fluxus Podcast to feed in any podcast receiver (like Juice, Doppler, iTunes or whatever) is

From a biography of Ray Johnson at

As his contemporaries became famous, Johnson receded from view, cultivating his role as outsider while maintaining his profile by communicating via mail art and the telephone. He parodied celebrity in performances, fake openings, photocopy-machine art, lists of famous names next to obscure names, and rubber-stamped signatures such as "Collage by Joseph Cornell," or "Collage by Sherrie Levine." Johnson, referring to himself as a "mysterious and secret organization," achieved legendary status as the conscience of artists. This underground reputation prospered well into the 1980's, despite his general absence from the scene, and the gallery-going public's sketchy notions of his output.

Johnson's suicide became the first opportunity to examine his work of the previous fifty years. Stored in an eerie construction of boxes inside his house, the work was as precisely stacked as a large three-dimensional collage. With the help of Frances Beatty, Vice-President of Richard L. Feigen & Co., filmmakers Andrew Moore and John Walter spent the next six years probing the mysteries of Johnson's life and art. Their collaboration yielded the award-winning documentary, How To Draw a Bunny, released in 2003. The film examines Johnson's life, art, and ambivalent attitude toward fame.

Buy the film "How to Draw a Bunny"

The very first post on The Fluxus Blog said that Fluxus arrived in America in 1962. While 1962 may have been the year of the first Fluxus exhibition in America, Fluxus was happening in New York in the 1950s.

In the years 1957 to 1959 John Cage was teaching a music composition course which was attended by many of the early Fluxus activists, including Dick Higgins, George Brecht and Al Hansen. This was also where and when Allan Kaprow first conceived of, and exhibited his happenings, and other Fluxus artists were creating art and music events and were producuing the scores to performing the events.

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